Critical analysis and reviews, Films

I can’t remember the last time I laughed so much while watching a film. It’s been too long, obviously, but Nicolas Cage’s The Unbearable Weight of Massive Talent is that kind of meta treat that only comes along every so often.

It stars Cage as himself in a tongue in cheek critique of his career as he gets an appearance gig for a multi-millionaire out in Spain. Nothing is as it seems (of course) and he ends up playing himself, playing himself as he acts through one of his toughest parts to date. It is a meta film with a high dose of parody.

There’s a midlife crisis, parenting, questions about career choices and friendship. Plus action. All while Cage uniquely sends himself up using Tom Gormican and Kevin Etten’s script that could only have been written after watching a lot of Cage movies.

I suppose if you’ve not watched at least a handful of Cage films, then you might be hard pressed to enjoy his latest outing. And if you know nothing about his personal and professional life that is out there in the public domain, you might also struggle with some of the film’s plot points.

(And if you’ve never watched any of Cage’s films, you should probably rectify that. Like, go do that right now. Maybe start with Face/Off, followed by Raising Arizona and a side of Mandy, but that’s just to start with.)

One thing I did find myself thinking is that it reminds me a lot of The Disaster Artist but the big difference here is that I’d willingly watch any of Cage’s films. But The Room is not something I ever really want to see again.

Those of us who live for Cage “Going full Cage”, this film completely delights… And made me want to rewatch/watch some more of his extensive filmography.

You need to see “The Unbearable Weight of Massive Talent”

Aside

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